A Few Good Men (1992)

Directed by Rob Reiner (adapted from a play by Aaron Sorkin), but not up to his usual standards. 

Tom Cruise plays a military lawyer who has to defend a pair of US marines accused of killing a soldier at the Guantanamo Bay Naval Base in Cuba. He spends a lot of time fiddling with his baseball bat. Demi Moore plays Lieutenant Commander Joanne Galloway. Jack Nicholson is a suspicious colonel. Kiefer Sutherland and Kevin Bacon also feature. 

It’s a little like a TV movie in places, and the music seems generic. Tom Cruise is exactly like he is in all his other films – cocky, fast-talking and apparently good at everything. Demi Moore struggles with a role that’s not really fleshed out. Only Jack Nicholson holds your attention, and even he isn’t given much to go on. Unless you’re keen on Cruise and his standard range of tics, it’s oddly unfulfilling.

Young Guns (1988)

British gentleman John Tunstall (Terence Stamp) employs several youthful cowboys to tend his cattle on the New Mexican frontier. But after Lawrence G. Murphy (Jack Palance) murders Tunstall, those young guns seek revenge...

Directed by Christopher Cain, this is a competent western that doesn’t break any new ground and doesn’t really need to. It was presumably created to show off these popular, good-looking actors (including Kiefer Sutherland and Charlie Sheen) in a group format that justified an ensemble cast.

Emilio Estevez is convincingly unpredictable as William H. Bonney a.k.a. Billy the Kid, although he just made me yearn to re-watch  Sam Peckinpah's superior Pat Garrett and Billy the Kid.

The Sentinel (2006)

Michael Douglas stars as Pete Garrison, a secret service agent who is both protecting the US president and having an affair with the First Lady (Kim Basinger). But when an assassination plot emerges, Garrison ends up being the chief suspect – investigated and pursued by his colleagues Kiefer Sutherland and Eva Longoria. 

It’s a fairly exciting thriller with a few surprises. On a technical note it was odd that certain outside scenes were heavily filtered in the way that the bulk of the film wasn’t. In terms of the plot, it was difficult to believe that someone as old as Michael Douglas could still be doing a job so dependent on physical strength, coordination and reaction times. But then Clint Eastwood was even older in In the Line of Fire, which is a far superior treatment of similar themes. Also, the motives behind the assassination plot aren’t really explained and the characters aren’t really developed. The flawed presidential marriage isn’t explored. If the First Lady is unhappy enough to have an affair with her bodyguard, wouldn’t the president be at least aware that there were cracks in the relationship? And Keifer Sutherland’s initial dislike/distrust of Eva Longoria isn’t really referenced again after it’s first introduced.