Showing posts with label Starring: Richard Dreyfuss. Show all posts
Showing posts with label Starring: Richard Dreyfuss. Show all posts

The American President (1995)

Directed by Rob Reiner, this is a charming film about the US President (Michael Douglas) attempting to balance the challenges of his job and his personal life. Annette Bening plays an environmental lobbyist who he falls in love with. Martin Sheen and Michael J. Fox play members of the presidential staff. And Richard Dreyfuss is the political opponent who tries to build a scandal around the new couple and their unexpected relationship. 

It works as drama and romance, with flashes of comedy. It’s also gently political and makes you wish that politics was that simple and idealistic today. 

All of the leads are on top form, and Douglas demonstrates once again that he's more versatile than people might think.

Jaws (1975)


I’ve seen this gem several times now and never tire of it. Steven Spielberg lost his way in later years, but with this film and Duel (1971) he could do no wrong.

There is no way that Jaws deserves its “12” certificate. In the first scene alone you see drug-taking and nudity. Then there’s a fair bit of “threat”, dismemberment, gore and all-out horror.

It’s full of great little details: Roy Scheider’s son copying his gestures at the meal table; that ultra-dramatic on-the-beach shot that zooms in and pans out at the same time; the iconic “shark approaching” music by John Williams; Quint’s war story; “You’re gonna need a bigger boat”; and the grisly fingers-down-the-blackboard moment at the town meeting.

It really kicks off when the three men go to sea to hunt the killer great white. There’s a macho issue going on between the guys, as well as a theme of class: tough-talking fisherman Robert Shaw is less than impressed with college-educated oceanographer Richard Dreyfuss. As the police chief, Roy Scheider somehow strikes a balance between them. Each man’s character is extremely well drawn. Also excellent is Murray Hamilton as the town mayor who prioritses Amity’s lucrative 4th July celebrations over beach safety.

The shark looks incredibly realistic. So convincingly did the film make these creatures look evil that a great disservice was done to the way they are perceived and their subsequent ecological protection.

My only other real criticism is the intrusively jaunty music used in some of the action sequences. In typical Spielberg style, on a couple of occasions he over-eggs the “adventure” aspect and makes the drama seem silly. But the damage is minimal here compared to in his later films.

Those points aside, it’s a masterful study in suspense.

Stand by Me (1986)


Sweet and touching coming-of-age drama about four American boys who set off along the railway to find the body of a dead child.

There are scares and surprises along the way (an attack dog, nearly being run down by a train, a nasty gang of kids led by Kiefer Sutherland), but the real focus of the story is the relationship between the four boys and what else is going on in their emotional lives.

Gordie (Wil Wheaton) is bereaved after losing a brother he failed to live up to in the eyes of his devastated parents. (As an adult, played by Richard Dreyfuss, he narrates the story he has now turned into a book.) And Chris (River Phoenix) has been written off as a no-hoper. Meanwhile Teddy (Corey Feldman) is not quite right in the head and Vern (Jerry O'Connell) has an older brother in the nasty gang.

It’s a poignant tale about friendship and growing up.

Rob Reiner’s direction is unfussy and perfectly judged, allowing the characters to develop and the story to unfold at just the right pace.