Jude (1996)

Michael Winterbottom’s skilful adaptation of Thomas Hardy’s Jude the Obscure is a powerful and moving saga. 

Christopher Eccleston plays Jude Fawley, the self-educated stonemason who falls in love with his well-to-do cousin Sue Bridehead (Kate Winslet). In addition to the scandal of the couple being related (and both married to someone else), the story also addresses their conflicting class backgrounds. 

There’s real gravitas in the performances and it ends up being moving without resorting to sentimentality. 

June Whitfield is excellent as Jude’s elderly mother.

Gone in 60 Seconds (2000)

Remake of the bizarre 1974 film by H. B. Halicki, directed by Dominic Sena. 

Nicolas Cage plays Memphis Raines, who has to save his brother Kip (Giovanni Ribisi) from dangerous gangsters by stealing 50 cars in one night. He’s helped by his old criminal pals (who of course are all good guys really) and his old flame (an awkwardly awful Angelina Jolie). 

It’s extremely silly, but – unlike the original – it has a proper plot and characters with motivations and interactions, even if those characters (like villain Christopher Eccleston) are ridiculous. There’s even a script, albeit one that might have been written by a 12-year-old boy. 

The lighting is conspicuously styled with lots of blue and yellow shades, and while that might be atmospheric it makes the film less “realistic”. The original looked far more real, mainly because it was built around actual footage of real situations. 

What holds it all together and makes it worth seeing (once) is Nicolas Cage, who has a bottom-line charisma and presence.

The Others (2001)

Deeply creepy supernatural thriller. 

Nicole Kidman is a mother of two children living in Jersey in 1945. The family begin to hear strange noises and see odd things in their large old house. They are joined by a new housekeeper, a gardener and a mute girl, and the inexplicable happenings become more frequent. It’s difficult to say more without spoil the film, which all hinges on one massive plot twist. 

Kidman is superb as a woman on the edge, driven by love for her children and a profound sense of loss after her husband failed to return from the war. Fionnula Flanagan is perfect as the housekeeper Bertha Mills – an initially reassuring and later fairly unsettling presence. The suspense is built up expertly, with added tension coming from the reactions of the children to the way events unfold. 

Music by writer/director Alejandro Amenábar adds to the sense of threat, and the uncanny atmosphere – big, dark echoing spaces, the persistently swirling mist outside – is sustained well.

Elizabeth (1998)

Biopic of Queen Elizabeth I of England (1533–1603) detailing her ascendance to the throne and the various challenges to it that she overcame. It also details the workings of her inner circle and her private life alongside the progression of her public face as she fends off an endless stream of potential suitors and ultimately becomes the “virgin queen” of legend.

Cate Blanchett has a commanding presence in the title role, while Geoffrey Rush has menacing charisma as her adviser and spymaster Francis Walsingham. The all-star cast also includes Lily Allen, Richard Attenborough, Kathy Burke, Eric Cantona, Christopher Eccleston, Joseph Fiennes and John Gielgud. And Daniel Craig shows up as a murdering monk.

It’s enjoyable, even if it does sometimes lack context. You will get more out of it if you know your history.

Shekhar Kapur’s direction was sometimes conspicuous. He has a thing for overhead shots and these were used too often.