Showing posts with label Starring: Lily James. Show all posts
Showing posts with label Starring: Lily James. Show all posts

Darkest Hour (2017)

Gary Oldman plays Winston Churchill during his early days as UK Prime Minister during World War II.

It’s brilliantly acted but poorly filmed. The overuse of shadows and light by director Joe Wright in pretty much every scene becomes wearing, and quickly feels clichéd, as does the naff music. In fact it’s quite “flat” all round. 

Kristin Scott Thomas and Lily James are strong in supporting roles as Churchill's wife and secretary respectively. Oldman is superb and the film is worth seeing (once) if only for him.

The Guernsey Literary & Potato Peel Pie Society (2018)

Romantic drama set during and just after World War II.

The “Guernsey Literary and Potato Peel Pie Society” is an informal book club set up by a small group of people on Guernsey during the Nazi occupation. A London-based writer, Juliet (Lily James) begins a correspondence with one of them that leads to her visiting the island. As she slowly becomes drawn into their way of life, she also learns about their secrets. 

It’s a hugely entertaining drama. Some of the reviews, such as Peter Bradshaw’s for The Guardian, dismissed it as twee fluff, but there’s more grit there than you might imagine. There’s certainly human pain and suffering. (Then again, Bradshaw gave five stars to the truly awful Inside Llewyn Davis, so what does he know?)

The performances are superb. Lily James is as charming and lovable as ever. Penelope Wilton and Tom Courtney convey depth as two of the older members of the group. Katherine Parkinson exudes charm as the slightly scatty Isola Pribby, and Michiel Huisman has rugged appeal as the kindly pig farmer Dawsey Adams. 

A lot of little sub-plots add further depth and texture, although a fair amount has been cut from the novel by Mary Ann Shaffer and Annie Barrows to make it work on screen – leading to a couple of loose ends.

I was reminded of Local Hero at times – visitor from afar falls in love with a small coastal village and its way of life. And while it doesn’t have the laughs of that film, it’s similarly heartwarming.

Yesterday (2019)

Comedy drama written by Richard Curtis and directed by Danny Boyle.

Jack Malik (Himesh Patel) is a struggling singer who – owing to a mysterious electrical event it’s best not to ask too many questions about – suddenly finds himself in a world in which no one has heard of The Beatles. In fact, it appears that they never existed. He begins performing their songs, is recognised as a genius, and swiftly finds himself on the path to fame and fortune. But there are problems. He’s clearly not cut out for the life of a rock star – especially one whose success is built on a lie. And he also happens to be in love with his friend and former manager Ellie (Lily James).

It’s a sweet and touching story. The songs are wonderful, too, as you’d expect. The joy of the film is that through people’s stunned reactions it feels as if you get to hear The Beatles’ songs for the first time.

Patel and James are extremely endearing. You are rooting for them from the very beginning, able to identify with the pair in every scene.

Ed Sheeran appears as himself and is a feasible enough character in his own right rather than merely a walk-on famous-person role. Kate McKinnon is also fairly strong as Jack's ruthless new manager, who makes no secret of her desire to make a fortune out of the singer.

Fun and rewarding.

Baby Driver (2017)


A highly stylised, unusual blend of violence and music.

“Baby” is a decent young man (Ansel Elgort), who has got mixed up with criminals, working as a getaway driver for a criminal boss (Kevin Spacey). When he meets a waitress named Debora (Lily James), he vows to go straight and plans his escape with her. Of course it’s not that simple and his last job goes horribly wrong...

There’s so much more to this than a typical car-chase thriller. Baby is obsessed by music, which he plays on an iPod constantly to drown out both his tinnitus and memories of his mother’s death in a car crash. There’s also the fact that he records snippets of conversation and builds remixes out of them. And he has a deaf, disabled foster father to care for.

The film starts out like a pop video – fast, flashy and loud – but develops unexpected depths. The other criminals initially seem like two-dimensional caricatures, but thankfully they are developed too.

There’s a brilliantly executed scene near the beginning in which Baby brings a song to life, lip-syncing to it, and illustrating its lyrics with visual elements as he walks through the streets of Atlanta to the coffee shop.

I loved the soundtrack (The Damned, Bob & Earl, Sam & Dave, T.Rex, Jonathan Richman, Martha and The Vandellas, etc), and the choice of music is vital to the action. In places, the gunshots are synchronised to the rhythms of the tracks Baby listens to.

It escalates into a fast, thrilling and surprisingly intense climax.

Cinderella (2015)


“Have courage and be kind” is the simple message behind this live-action Disney film. It’s incredibly faithful to the original fairytale. I found it immensely powerful to see a story I’ve known all my life suddenly unfolding before my eyes in a newly visualised manner. And the magical scenes were sublime. The highlight was when the coach and horses began breaking down into the pumpkin, mice and lizards that they had been magicked from. Lily James plays it straight in the title role, Helena Bonham Carter is pretty good as the quirky fairy godmother and Cate Blanchett has fun hamming it up as the wicked stepmother.