While You Were Sleeping (1995)

Described as a romantic comedy, this OK film directed by Jon Turteltaub isn’t really funny at all. 

Sandra Bullock stars as Lucy, a Chicago Transit Authority token collector. She has a crush on a commuter, Peter (Peter Gallagher), who she sees every morning. One day he’s pushed in front of a train and she saves his life. He goes into a coma, and in a blaze of confusion she allows Peter’s family to believe she’s his fiancé. But then she starts falling in love with Peter’s brother (Bill Pullman). 

Whenever Bullock is on screen, she shines. Pullman is also pretty good. The problem is the ensemble case of family and friends – poorly drawn characters with too much screen time. It’s just not very well written. For example, when Peter’s actual fiancé shows up you expect all sorts of amusing misunderstandings, but that event is thrown away and a potentially interesting plot thread merely fizzles out.

Lake Placid (1999)

Directed by Steve Miner, this is an awkward horror-comedy that never really comes to life. 

A huge killer crocodile is on the loose in Maine. The local Fish and Game officer Jack Wells (Bill Pullman), paleontologist Kelly Scott (Bridget Fonda), sheriff (Brendon Gleeson) and an eccentric professor of mythology (Oliver Platt) try to track down the beast. 

The film can’t decide if it’s meant to be funny or scary and ends up neither. There are hints of Jaws and Crocodile Dundee in there, but with none of the ingredients that made those films so engaging.  

Fonda has a degree of charm, as always, but the script is weak and you long for wittier lines. Gleeson seems entirely miscast as the grumpy sheriff and you can only wonder exactly what the actor or character was meant to contribute to the film. There are a couple of laughs but with some tweaking it could have been so much better.

Sommersby (1993)

From the back of the DVD: “People remember Jack Sommersby. They know him as a bitter, loutish man. But when Jack returns home after the Civil War, he's tender, caring and resourceful. Has the war changed him. or is the man calling himself Jack Sommersby an impostor?”

This is a brilliant drama starring Richard Gere and Jodie Foster as a married couple living in extraordinary circumstances. There are themes of identity running through it – Jack may or may not be who he says he is – and it also explores issues of race and personal relationships.

Foster and Gere are both excellent, juggling several plot threads: the story about who Jack is, the story of their marriage and the story of the town's agricultural fortunes. It’s moving and it keeps you guessing. 

James Earl Jones has gravitas as a judge, even if I can only hear him as Darth Vader.

Spaceballs (1987)

Daft and sometimes very funny parody of Star Wars, written and directed by Mel Brooks. The humour is so silly that it’s difficult to resist. For example, Rick Moranis plays the Darth Vader character, but he’s so weedy that anything he does seems utterly ridiculous. There are parodies of Princess Leia (Daphne Zuniga as Princess Vespa), Han Solo (Bill Pullman as the Winnebago-driving Lone Starr), Chewbacca (John Candy as the half-man half-dog Barf) and C-3PO (Joan Rivers voicing he droid Dot Matrix). Mel Brooks himself plays the Emperor Palpatine-influenced President Skroob and the Yoda-like Yogurt. There are also references to Star Trek, Alien and Planet of the Apes. 

It’s extremely self-referential and post-modern. At one point the characters have to watch Spaceballs itself to find out what happens next. 

The "story" is largely irrelevant. You just wait for the gags – some of them so basic and obvious that they can’t fail.