Once Upon a Time in Hollywood (2019)

Fascinating comedy-drama written and directed by Quentin Tarantino. 

It’s 1969 in Los Angeles. Rick Dalton (Leonardo DiCaprio) is an actor famous for his role in a 1950s TV western. His best friend is his stunt double and personal assistant Cliff Booth (Brad Pitt). Times are changing and the pair are struggling to stay relevant in the film industry. Their next-door neighbours are actress Sharon Tate (Margot Robbie) and her director husband Roman Polanski. Also on the fringes of the scene is a young Charles Manson…

The film cleverly weaves together fact and fiction across multiple narratives, playing on what we know – or think we know – about the mythology of the Manson murders. It’s a kind of alternative history that finds humour and tragedy in the events, but not in the way that you might expect.

It’s visually rich and full of the iconography of the time, with Tarantino really relishing the period detail. Highly watchable stuff.

The Wolf of Wall Street (2013)

The curiously featureless face of Leonardo Di Caprio works perfectly to represent the banality of ultra-greed in Martin Scorsese’s audacious biopic of non-legal trader Jordan Belfort. 

The aesthetic is bland and corporate, as it should be. Scorsese avoids the subtle layering of American Hustle and instead opts for relentlessness, brilliantly pushing the excess factor. Some of the speeches by the “wolf” are incredibly well done – a much more extreme twist on the “greed is good” theme of Michael Douglas as Gordon Gecko in Wall Street. 

Some critics complained that there’s no moral core, but surely that’s the point of this film. The book is even better. Jordan’s written account condenses certain episodes in his life. The film further combines and condenses, so inevitably drifts towards fiction.

A diverse cast also includes Jonah Hill, Margot Robbie, Rob Reiner, Joanna Lumley and Matthew McConaughey.

I, Tonya (2017)

Terribly sad biopic of Tonya Harding, the Olympic ice skater whose career was ruined by her ex-husband’s alleged involvement in the 1994 assault on her rival Nancy Kerrigan.

It’s a tragic tale of abuse, from childhood onwards, via a brutal, unloving mother (played by Allison Janney) and a violent husband (played by Sebastian Stan). The film is also a damning critique of the media, which turned her into a “punchline”, while being part of that media.

Margot Robbie is terrific in the lead role as the talented skater who just wanted to be loved.

The feel is a lot like American Hustle and The Wolf of Wall Street: fast edits, a loud rock soundtrack and fourth-wall talking to camera.

It's disturbing and gripping – a powerful drama that's excellently made – but, as always with these kinds of biopics, I’m left wondering if it might have been better to make a documentary film instead.