Midnight in Paris (2011)

Charming Woody Allen comedy-drama about an American screenwriter and would-be novelist named Gil Pender (Owen Wilson) on holiday in Paris with his rather superficial fiancé Inez (Rachel McAdams) and her insensitive parents. 

While Gil begins to feel distant from Inez, with whom he evidently has little in common, he finds himself transported to the Paris of the 1920s that he idealises so much. Indeed, every night he travels back in time and begins to mingle with notable Bohemians and artists including F. Scott Fitzgerald, Zelda Fitzgerald, Ernest Hemingway, Gertrude Stein, Salvador Dalí and so on. Should he stay in the past, or is it just a nostalgic distraction from what’s really important in the present?

It’s remarkable how much Owen Wilson takes on the “Woody Allen-type character”. Even his speech patterns and mannerisms are Allen-esque.

If you can accept the fantasy/time travel premise, there’s plenty to enjoy. The film asks some interesting philosophical questions but never becomes too serious or ponderous. There are roles for Carla Bruni and Lea Seydoux as well as Michael Sheen, Kathy Bates and others.

No Escape (2015)

Engineer Jack Dwyer (Owen Wilson) relocates to Southeast Asia with his wife Annie (Lake Bell) and two daughters. But soon after they arrive, they become trapped in local riots and a revolution. Certain to be murdered, they have no option but to attempt to flee.

It’s an exceedingly well-made action thriller that never lets up. There are some harrowing sequences and I will never forget the scene in which Jack – moments from being shot with his family and faced with an impossible choice – has to hurl his children between two buildings. 

Pierce Brosnan is excellent as the British intelligence agent who helps the Dwyers. He exudes charisma and charm, even with a silly London accent that makes him sound Australian. 

Director John Erick Dowdle favours jerky, semi-documentary edits that give the scenes a sense of urgency – although the effect may be overused. 

Critics complained that the film is xenophobic, but it's deliberately positioned from the Americans' perspective and as such conveys how terrifying such a situation might have seemed to them.