Sudden Impact (1983)

The fourth of five Dirty Harry films, this one was directed by Clint Eastwood himself. 

The story tells of a woman (Sondra Locke), who seeks revenge on the gang that raped her and her sister.

Eastwood and Locke have chemistry (they had been an item in real life), and Locke has a definite intensity. As usual with the Dirty Harry films, the villains are unfortunately one-dimensional and not convincing characters. The pleasure comes from watching how coolly Harry Callahan deals with them. 

Music by Lalo Schifrin provides additional atmosphere, and the cinematography by Bruce Surtees is spectacular.

Every Which Way but Loose (1978)

Comedy. 

Clint Eastwood plays Philo Beddoe, a trucker and fighter who lives with an orangutan called Clyde. When he meets a country singer he falls for (Sondra Locke), he ends up taking off after her – despite the fact that he himself is being pursued by a cop and a biker gang who want to beat him up. 

It’s difficult to describe what genre this is. There’s comedy, but it’s also a sort of road and adventure film. It ends up being a deeply strange hybrid. 

Some of it works very well – Eastwood is reliably cool and watchable. Some of it is awkward – the farcical, annoying character of “Ma” (Ruth Gordon), who really doesn’t need to be there. And some of it is plain bizarre. 

There’s a lot about masculinity and gender. Oddly, it promotes drinking and fighting and yet it makes the bikers look weak and silly. 

The country soundtrack – with the distinctive main theme by Eddie Rabbitt – is enjoyable, too.

The Outlaw Josey Wales (1976)

Western set during the US Civil War, starring and directed by Clint Eastwood. In some ways he is playing exactly the same character he did in Sergio Leoni’s “Man with No Name” trilogy, but the difference is that he inhabits the role with warmth, humour and humanity. 

Josey Wales sees his family killed and sets out to get revenge. Along the way he meets some colourful characters, who join him despite his “wanted man” status. As bounty hunters track and trail him, you wonder if he can ever truly be free. 

It’s superbly cast all round. Every character is perfectly drawn – especially Chief Dan George as Lone Watie. There’s a quietly comic aspect and a tenderness to his manner that makes him hugely appealing. 

I like the way Wales uses his spitting as a form of punctuation during his various encounters and conversations. That tic forms a sort of running joke that gets funnier as the film progresses.

The landscapes look beautiful and even the music is strong, although you do wish they had booked Ennio Morricone to compose the soundtrack.

While it starts out as a simplistic tale of revenge, the film goes on to become something so much broader and richer. I'm looking forward to watching it again.