Creation (2009)

An engaging biopic of Charles Darwin, directed by Jon Amiel. 

Darwin (Paul Bettany) attempts to complete On the Origin of Species while dealing with the grief of his daughter Annie’s death. He’s also semi-estranged from his wife Emma (Jennifer Connelly), and his theories about the beginnings of life on Earth are inflaming tensions in the God-fearing community. 

There are impressive scenes of nature, illustrating the idea of evolution as Darwin perceives it. 

Bettany’s compelling performance lifts the film and makes it highly watchable. Connelly brings a welcome complexity to her part as she tries to reconcile her love for her husband with her love of the God his life’s work debunks.

The Painted Veil (2006)

Drama, brilliantly directed by John Curran, based on the 1925 novel by W. Somerset Maugham. 

Bacteriologist Walter Fane (Edward Norton) meets Kitty Garstin (Naomi Watts) in London and they quickly marry. Then Walter accepts a post in China, helping a village amid a cholera outbreak, forcing Kitty to go with him to punish her for her infidelity. 

It’s beautifully shot and extremely poignant. There’s a historical/political thread, but the main focus is on the couple’s complicated relationship and the way it evolves.

The script is subtle and nuanced. Likewise, the graceful and restrained-but-powerful performances.

Serena (2014)

Gripping drama that becomes progressively more hair-raising. 

It’s 1929 and George Pemberton (Bradley Cooper) runs a timber business in North Carolina. When he falls in love with a forthright young woman named Serena (Jennifer Lawrence) and brings her into the company, everything changes. She’s haunted by a tragedy in her past and also by the existence of George’s child with another local woman. He is haunted by a crime she encourages him to commit. Before long, everything falls apart. 

This film got heavily criticised for various reasons, none of which I would recognise as being flaws. The characters are perfectly drawn and their motivations are made clear. The storytelling is lucid, thanks to Susanne Bier’s solid direction. The remote location looks great, too, despite the use of the sort of filters I usually find distracting. The film does become melodramatic, it’s true, but that seems entirely in keeping with their situation as their problems swiftly escalate.