Allied (2016)

Entertaining wartime thriller directed by Robert Zemeckis. 

Brad Pitt and Marion Cotillard star as a Canadian intelligence officer and French resistance fighter. They fall in love, while pretending to be a married couple for a military mission in Casablanca. They move to London as the war continues, but is everything as it seems? 

Zemeckis brings his usual high quality of storytelling, and the narrative keeps you guessing until the end. Pitt is OK rather than spectacular (as usual), but Cotillard steals the show with a much more impressive, nuanced and well-rounded performance.

Midnight in Paris (2011)

Charming Woody Allen comedy-drama about an American screenwriter and would-be novelist named Gil Pender (Owen Wilson) on holiday in Paris with his rather superficial fiancé Inez (Rachel McAdams) and her insensitive parents. 

While Gil begins to feel distant from Inez, with whom he evidently has little in common, he finds himself transported to the Paris of the 1920s that he idealises so much. Indeed, every night he travels back in time and begins to mingle with notable Bohemians and artists including F. Scott Fitzgerald, Zelda Fitzgerald, Ernest Hemingway, Gertrude Stein, Salvador Dalí and so on. Should he stay in the past, or is it just a nostalgic distraction from what’s really important in the present?

It’s remarkable how much Owen Wilson takes on the “Woody Allen-type character”. Even his speech patterns and mannerisms are Allen-esque.

If you can accept the fantasy/time travel premise, there’s plenty to enjoy. The film asks some interesting philosophical questions but never becomes too serious or ponderous. There are roles for Carla Bruni and Lea Seydoux as well as Michael Sheen, Kathy Bates and others.

A Good Year (2006)

Adapted by Ridley Scott from Peter Mayle’s novel, this is a surprisingly low-key drama. Russell Crowe stars as Max, a London-based trader who inherits his uncle’s home and vineyard in Provence. He travels to the estate, which he plans to sell, but slowly becomes absorbed into a simpler, quieter way of life and falls for a local (Marion Cotillard). Albert Finney plays Uncle Henry, who we only get to meet in flashback, and Abbie Cornish plays the young Californian visitor who may or may not be his daughter.

It’s appealing escapism, but ultimately it’s light, forgettable fluff. The scenic locations look nice and there’s a lot of wine. But the wine sub-plot isn’t satisfyingly explained: was the lousy produce being used to jinx the sale of the estate or was it intended to obscure their better wines as part of a shady business trick?

An enjoyable enough two hours, it only works because Crowe is so charismatic and magnetic.