The Eiger Sanction (1975)

Appalling thriller directed by and starring Clint Eastwood, who ought to have known better. He stars as a hitman, who's also a lecturer, who’s also a climber, who's also a ladies’ man, who’s also an art collector…

There’s no tension or drama. But there’s plenty of sexism, homophobia and racism. There's also a clumsy sub-James Bond plot that doesn’t make sense, and a total lack of characterisation. Even the celebrated climbing sequences end up being dull. 

Clint is usually reliable, so you can only wonder how this ended up being such a turkey.

Earthquake (1974)

When Los Angeles is hit by a major earthquake, it’s up to a few brave heroes to save as many lives as possible. This film performs the standard disaster-film trick of setting up several diverse characters in different places before the incident kicks off. We get to know them a little, and then we get to see how they fare when everything goes wrong. It works because it actually makes us care.

The drama is fairly compelling. On a couple of occasions it lapses into sensationalism – most notably when a lift plunges in its shaft and animated drops of blood superimposed on the screen indicate that everyone in it died. But the film is generally impressive in terms of the special effects of the time (a bursting dam, burning buildings, semi-collapsed structures) and it successfully conveys the huge scale of the disaster. It feels “real” in a way that The Poseidon Adventure never does. 

Charlton Heston is the former sporting hero who has to save work colleagues and his father-in-law. Geneviève Bujold is the young mum who Heston has fallen for. Will he save her or his semi-estranged wife (an oddly unconvincing Ava Gardner)? George Kennedy plays a tough, cynical cop who proves decent enough to do the right thing. Richard Roundtree is a motorcycle stunt driver whose potential is never quite realised in the plot. (I kept expecting him to have to leap across a crack in the ground or cycle through a ring of fire, but his story just peters out.) There are also roles for Victoria Principal (of Dallas fame), who is nearly the victim of a machine-gunning predator, and Walther Matthau, who gets to be a comedy drunk. It’s not clear why they felt the need for comedy in a fairly serious film.

Gripping and suspenseful, this is well worth seeing.

Cool Hand Luke (1967)

Extremely enjoyable and ultimately very moving prison drama starring Paul Newman as the ridiculously charismatic lead. Rarely will you see an actor with such presence on screen.

Locked up for a petty offence, war veteran Lucas “Luke” Jackson joins a road chain gang. He refuses to behave like the other men (including Harry Dean Stanton as Tramp), but slowly earns their respect with his liberated, nonconformist outlook. There’s a painful and emblematic scene in which he boxes against the leader of the men (George Kennedy as “Dragline”) and is repeatedly knocked down. But such is his strength of mind that he gets up again and again. Another remarkable interlude features the prisoners betting on whether Luke can eat 50 eggs in an hour and Luke then carrying out the challenge. It’s surreal and hilarious.

The second half of the film introduces a more serious tone. Luke tries to escape and the prison guards try to break his spirit. The narrative becomes richer and sadder as the essence of his personality – and even his humanity – is steadily eroded.

A remarkable soundtrack by Lalo Schifrin adds further depth to an extremely affecting story.