There’s strong acting, and the singing by Rose (Miri Mesika) is particularly good. The plot has a few holes, or rather moments that risk tipping it into “trashy soap-opera” territory. For example, it’s hinted that a death was actually a murder, but then the plot continues as if nothing especially unusual has happened.
On the plus side, the modern day vs. flashback elements are handled extremely well, with both timelines sustaining equal interest. This isn’t usually the case in now-and-then film scenarios.
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