During World War II, writer Maurice Bendrix (Ralph Fiennes) falls in love with Sarah Miles (Julianne Moore), the wife of a civil servant (Stephen Rea). But other forces keep the couple apart. Whereas the 1955 film is awkward and improbable, this remake comes alive as a psychological drama because the characters are three-dimensional and sympathetic. You can really believe that Sarah and Maurice love each other because the acting is so strong.
There’s also an excellent performance by Ian Hart as the detective assigned to follow Sarah’s activities.
Graham Greene’s somewhat overwrought handling of Catholic themes is softened here so that the character motivations become credible.
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