There are several odd things about it. Certain scenes have been lost and are represented on the DVD simply by on-set stills backed by the original audio. It’s very difficult to absorb these parts as part of the narrative.
Also, Judy Garland’s fame as a singer means that the film-makers took every opportunity to cram in more of her singing. The extended “film within a film” interlude doesn’t really work, but it could have done if they’d simply cut back to Norman and Esther’s reactions as they watched the show from the theatre.
Too little happens in the first hour: her talent and his drinking are established in the very first scene, then there’s a lot of filler before that story is picked up again. It’s oddly unbelievable as a romance, and there's very little chemistry between the pair.
On the plus side, the two leads are superb. Mason has just the right mixture of charismatic appeal and troubled “dark side”. You can see and feel his pain as his character declines. And it’s extremely colourful and vivid, with a particular emphasis on red and pink shades. But I was surprised to find that overall it was far less compelling than the Gaga/Cooper remake.
No comments:
Post a Comment