It’s an extremely well-written drama that avoids cliché. Cleverly, it evolves from a film about a drink problem into a film about a marital problem. And it presents the couple’s situation from multiple angles so that it’s difficult to “take sides”.
The two child roles are brilliantly acted by Tina Majorino and Mae Whitman, revealing real sensitivity in their restrained but heartbreaking performances. Philip Seymour Hoffman plays a friend from Alcoholics Anonymous, who oddly drops out of the narrative without explanation – the only real flaw.
The songs on the soundtrack can be a little intrusive, but they don’t spoil the film. I was fearing a simplistic “happy” or “sad” ending, but it wisely avoids that and finds its way to a more satisfying conclusion. It’s emotional and powerful.
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