Meet Me in St. Louis (1944)

Judy Garland vehicle directed by Vincente Minnelli. 

The story begins in St. Louis in the summer of 1903, and moves through the seasons before culminating in the World’s Fair in spring 1904.

The songs are nice rather than sensational. I was expecting something a little generic but Judy Garland is always treat to watch, and overall it’s surprisingly enjoyable.

The Love Punch (2013)

Written and directed by Joel Hopkins, this is a lame comedy starring Pierce Brosnan and Emma Thompson as a divorced couple who set off on a silly mission to steal a diamond in the south of France. 

What might have been an interesting romantic comedy becomes a deliberately absurd slapstick caper. The actors are all strong (Timothy Spall and Celia Imrie also star) but the script just isn’t funny enough and their talents are wasted on something half-baked and crudely forgettable.

Darkest Hour (2017)

Gary Oldman plays Winston Churchill during his early days as UK Prime Minister during World War II.

It’s brilliantly acted but poorly filmed. The overuse of shadows and light by director Joe Wright in pretty much every scene becomes wearing, and quickly feels clichéd, as does the naff music. In fact it’s quite “flat” all round. 

Kristin Scott Thomas and Lily James are strong in supporting roles as Churchill's wife and secretary respectively. Oldman is superb and the film is worth seeing (once) if only for him.

Crash (2004)

An attempt by director Paul Haggis to make a multi-layered, interconnected narrative with a general theme about racism. It partially succeeds. 

The ensemble cast’s acting is strong (notably Sandra Bullock and Matt Dillon), and the weaving together of threads is expertly handled. What spoils the film is the very intrusive, jarring music that just doesn’t suit the scenes it soundtracks. Also, the visuals seem over-filtered.

Heathers (1989)

The blackest of black comedies, directed by Michael Lehmann, this is an unusual film.

Winona Ryder stars as one of four girls named Heather in a high school clique. Christian Slater (who exudes the easy, relaxed charisma of a young Jack Nicholson) is new student Jason “J.D.” Dean, who begins murdering anyone who wrongs him. 

It’s tonally strange – a little like a much nastier Clueless – but there’s plenty of wit and intelligence among the morbid and tasteless elements.

Dune: Part Two (2024)

Almost ridiculously epic and far too long, this second part of the Frank Herbert sci-fi adaptation is again directed by Denis Villeneuve.

Paul Atreides unites with the Fremen people of Arrakis to wage war on House Harkonnen. 

There are too many shots of Zendaya scowling at Timothée Chalamet.

It’s visually stunning but also quite ponderous in places.

The Thing (1982)

Directed by John Carpenter, this is an intriguing mixture of horror, sci-fi and psychological drama.

Kurt Russell stars as one of a group of US researchers working in Antarctica, where the team encounter an alien life-form able to take on the form of other beings – including dogs and humans.

The plot cleverly explores how no one can trust each other because of the risk that any one of them could have been taken over by the alien. There's plenty of tension, and – although I don't love his acting style – Russell is pretty good in the lead role.