Showing posts with label Starring: Dirk Bogarde. Show all posts
Showing posts with label Starring: Dirk Bogarde. Show all posts

A Bridge Too Far (1977)

Alternative title: An Hour Too Long. 

During World War II, Operation Market Garden was an Allied operation that took place in September 1944. It aimed to secure key river crossings, enabling a route from the Netherlands into northern Germany – culminating with the strategically vital Arnhem bridge. 

That real-life saga is brought to life with mixed results. Unfortunately, at nearly three hours it’s excessively drawn out. The film gets off to a very slow start, too, and it’s a full 52 minutes until the first shot is fired. There are a lot of characters and plenty of time is used up introducing them and generally setting the scene. It’s an extreme example of the all-star cast, cramming in key roles for Dirk Bogarde, James Caan, Michael Caine, Sean Connery, Denholm Elliott, Edward Fox, Elliott Gould, Gene Hackman, Anthony Hopkins, Ryan O'Neal, Laurence Olivier and Robert Redford. The ensemble approach works reasonably enough and it adds scope, but it does mean you don’t get to know – or care about – any particular individual very well. 

Despite the jaunty music at times and the sense that for the posh Brits it’s all just a jolly jape, there’s a strong message about the brutality of war and the film doesn’t hold back from showing the realities of injury and death. 

It’s superior to the likes of The Great Escape and The Longest Day, although still oddly unsatisfying. It fails to convey why these battles are so important or to provide a wider context of how they fit into the war.

Darling (1965)


Julie Christie stars as Diana Scott, a young model who doesn’t know what she wants from life. She leaves her husband to be with a literary interviewer (Dirk Bogarde), only to find herself soon becoming involved with an advertising executive (Laurence Harvey), who may be able to boost her career, and then with an Italian prince (José Luis de Villalonga), who will transform her into royalty. Each of these relationships fails her in some way, and the film is deliberately ambiguous about whether she is using these men or they are using her.

It’s visually striking and the music by John Danworth adds a further dimension. It’s unpredictable, too, rather than simply opting for cosy kitchen-sink Englishness – such as when a party in Paris proves to be a transgressive experience featuring unsettling identity games.

Julie Christie is excellent as the young dreamer who is deeply confused. The film is all the more effective and engaging as a character portrait because it doesn’t seek to moralise.