A History of Violence (2005)

Thriller directed by David Cronenberg. 

An “ordinary” American, Tom Stall, works in a cafe in a small town. One day, a pair of crooks come in and threaten him and his staff. With what might be pure luck or uncanny combat skills, he quickly dispenses with them and is celebrated as a hero by the town. But then some gangsters show up in the same diner and appear to know Tom. Is this just a case of mistaken identity or does he have a troubling and mysterious past?

Viggo Mortensen stars, bringing depth to a complicated part. His wife is played brilliantly by Maria Bello in a fully rounded role. Ed Harris plays the sinister criminal whose appearance changes everything. 

There’s strong suspense and – as the title implies – a fair bit of blood. Cronenberg explores the nature of identity and violence, and the impact they have on family life. 

It's a scary and compassionate drama.

The Jane Austen Book Club (2007)

Light drama adapted from the novel by Karen Joy Fowler. A group of women (and one man) congregate monthly to discuss the novels of Jane Austen. They find the minutiae of relationships detailed in those books mirror their own love lives. 

The writing seems clever on one level – the intertextuality of plots – but the characters are mainly annoying. Especially unbearable is Kathy Baker as Bernadette, who knits a lot and looks smug, but isn’t given a plot thread of her own. 

Emily Blunt is probably the best of those in the ensemble cast, but even she is only given trite dialogue.

Prisoners (2013)

A gripping and terrifying thriller directed by Denis Villeneuve. 

In Conyers, Pennsylvania, two girls go missing – believed to be abducted. Their families begin to disintegrate under the strain, with one of the fathers (Hugh Jackman) resorting to increasingly extreme behaviour. 

Jake Gyllenhaal plays the local detective, desperately trying to find the girls despite the community and his own boss working against him. 

It’s brilliantly written, acted and photographed. There’s a genuinely creepy look to the rainswept houses and streets. 

Themes of religion, family and community run through the narrative, adding depth and texture.