The War of the Roses (1989)

Black comedy directed by Danny DeVito, who also plays a lawyer narrating the plot. The story deals with a couple, Oliver and Barbara Rose, who plan to divorce but cannot agree on who will keep their large house. Michael Douglas and Kathleen Turner are reunited from Romancing the Stone and The Jewel of the Nile, both of which also featured DeVito, although this is a very different kind of film. As the couple’s rivalry intensifies, they end up effectively trying to kill each other.

The comedy isn’t really funny enough, with some of the slapstick seeming very extreme. It badly needs more laughs. Instead, it’s certainly interesting and memorable but it’s tonally quite peculiar.

The Man with Two Brains (1983)

Absolutely daft comedy with hints of cartoonish sci-fi and horror homage. 

Steve Martin plays a brilliant but naive brain surgeon with the unpronounceable name Dr. Michael Hfuhruhurr. Kathleen Turner is Dolores Benedict, who marries him for his money. The doctor meets an eccentric scientist (David Warner), who is keeping human brains alive and may have found a way to transplant them into other bodies. He then falls in love with one of the brains (voiced by Sissy Spacek) and ends up running off with it. 

It sounds ridiculous and it is – deliberately. There are some funny moments and a few scenes that fall flat. It’s not quite as sharp as The Jerk (1979) or Lonely Guy (1984), but Martin and Turner are both hugely appealing and watchable throughout.

The Jewel of the Nile (1985)

Michael Douglas, Kathleen Turner and Danny DeVito reprise their roles from 1984's Romancing the Stone. Six months have passed and the couple now embark on a new adventure in Africa, seeking the "Jewel of the Nile" and tackling a demented dictator. 

It’s just as daft as the original and I enjoyed it a lot, despite the common consensus that it was a disappointing sequel.

It’s spectacular, silly and fun. There’s a particularly strong scene in which Douglas drives a fighter jet around crowded streets, causing havoc.

On the down side, DeVito doesn't really need to be there and the plot sometimes struggles to accommodate him. But Turner is endlessly appealing – charming and funny enough to rise above the good-natured but sometimes less than sparkling material.

Peggy Sue Got Married (1986)

Funny and moving drama by Francis Ford Coppola. Peggy Sue (Kathleen Turner) attends a high school reunion and is dismayed when her estranged husband Charlie (Nicolas Cage) unexpectedly shows up. She faints...and wakes up in 1960 – 25 years in the past. 

Trying to come to terms with her bizarre new reality, she spends a few days in her childhood world, with her family and school friends, and faces some fundamental dilemmas. Can she change her life and avoid the mistakes she knows she is destined to make? Should she break up with Charlie, who seems to love her so much but who will later betray her? What can she do differently now that she has all the knowledge and wisdom of her 1985 self and perspective on what really matters? The film explores these questions in a way that’s always humorous and often profound.

The 1980s-to-1950s/60s time-travel plot gives this plenty in common with Back to the Future (1985), but I like the fact that this film doesn’t bother with the technical “rules” about changing the future by interfering with the past. Quite the opposite: at one point, Peggy Sue gives Charlie the lyrics to a song she says she wrote. It turns out to be “She Loves You” by The Beatles (which would be a hit in 1963). 

Given such a warm and intelligent script, Kathleen Turner gives the performance of a lifetime, perfectly conveying all the excitement and confusion of what she’s going through. Nicolas Cage is extremely charming, as the role demands, and he has a strange, goofy appeal that’s a result of his huge charisma. 

It’s incredibly romantic, but that romance is all the deeper and more affecting because of the interwoven threads of hope and regret that run through it.

The Virgin Suicides (1999)

The first film by Sofia Coppola is a hypnotic piece of work that adapts the 1993 novel by Jeffrey Eugenides. It tells the story of the five Lisbon daughters, and the suicides that destroy their family. Consciously or otherwise it seems to echo Picnic at Hanging Rock – another mystery about disappearing girls – and in places it evokes the same hazy, dreamy atmosphere. Like that story, it’s as much about the after-effects of the key events as it is about what actually happens, as the girls enter the dreams and inner lives of those who knew them. 

Coppola also brings subtle, dry wit into the story, which is impressive given the macabre subject matter. One scene has the strict religious mother trying to burn the girls’ vinyl records (Kiss, Aerosmith, etc) only to nearly choke everyone with the toxic fumes they produce. 

There are clever, tricksy moments that shouldn’t work but somehow do anyway. At one point, an eye “twinkle” is added when Lux (Kirsten Dunst) smiles. At another point, we see “through” Lux’s dress to reveal that she’s written her new boyfriend’s name on her underwear. 

It also works as a teen story, and scenes such as the Homecoming ball – or the romantic moments when the boys and girls play each other records down the phone – would have been compelling as a youth drama in their own right, even without the disturbing undercurrents. 

James Woods and Kathleen Turner are excellent as the parents struggling to comprehend the nightmarish situation that grips their family, while Kirsten Dunst is especially strong as the most outgoing of the daughters.  

At the heart of the film is a mystery: the five girls are an enigma that the film wisely doesn’t even try to explain. And the eerie ambience is perfectly captured by Air’s original soundtrack. 

Trivia: it’s set in Grosse Pointe, Michigan, just like Grosse Pointe Blank.

Prizzi's Honor (1985)

The blackest black comedy about the Mafia isn’t really funny enough. It’s very slow, too. Although Jack Nicholson, Kathleen Turner and Anjelica Huston are all charismatic, they don’t have the material to work with. I found it tiresome to watch and it lacked the thrills of a good gangster drama as well as the laughs of a wittier film. Some of the motivations were unclear, too: what was in it for Kathleen Turner’s character? She didn’t marry Jack Nicholson for the money (she was already rich) and she didn’t love him either (she tried to kill him).

It was densely plotted and confusingly signposted, so I lost the thread a few times.

The pale and frail Mafia don played by William Hickey was a ludicrous character, neither funny nor scary. You never knew how you were meant to feel about him, which may have been the point.

This film gained strong reviews and is generally regarded as a classic. I couldn’t see what the fuss was about.

Romancing the Stone (1984)

Another film watched on TV while on holiday. This is an action-adventure romp starring Michael Douglas and Kathleen Turner. 

The plot is ludicrous, but it’s also charming and fun. Turner is terrific as the lonely romantic novelist from New York who finds herself in her own romantic saga in Colombia. Douglas is passable as the male lead, an American bird smuggler. I like the line when – reading an old magazine in a crashed plane – he exclaims “Dammit, man” having finally learned that “the Doobie Brothers broke up!” 

I could have done without Danny DeVito, who seems to play the same part in every film he’s in, but even with his unfunny antics this is still highly enjoyable fluff.