Showing posts with label Starring: Ben Hardy. Show all posts
Showing posts with label Starring: Ben Hardy. Show all posts

Pixie (2020)

Plot: “Pixie Hardy sets out to avenge her mother's death and attempts a heist that will give her the means to leave her small-town life behind. When the plan goes horribly wrong, she's forced to team up with a pair of misfits who are clearly in over their heads. On the run from a criminal gang of priests and nuns, the trio tries to scheme and swindle anyone they come across.”

Superb comedy crime thriller set in Ireland. It’s funny, perfectly scripted and surprisingly violent. Olivia Cooke is fantastic in the role of the charming, intelligent and resourceful Pixie. Ben Hardy, so hopeless in Bohemian Rhapsody, is also excellent. Even Alec Baldwin, a disaster in It’s Complicated, is spot-on as the ruthless Father Hector McGrath. 

The road-trip and shoot-out elements owe something of a debt to Quentin Tarantino, especially his True Romance, but Pixie feels so fresh that it doesn’t matter at all. 

The scenery looks great, too.

Bohemian Rhapsody (2018)

Awkward, hugely disappointing, almost childish biopic of Queen. The story has been dumbed down and sanitised (hardly anyone seems to drink or take drugs) and other than Freddie Mercury – whose bisexuality is touched upon – none of the characters have any depth whatsoever. The dialogue is poor. Some of the scenes are like a Spinal Tap-esque parody sketch. You keep waiting for the punchline, but it never arrives. You wouldn’t know from this film that they were an interesting group at all. The songs remain remarkable, and it’s always nice to hear them again, but even the scene showing the group pulling together “Bohemian Rhapsody” falls flat. We get the nuts and bolts of them recording the piano part, the guitar part, the harmonies and so on, but there’s nothing about how something so unusual was composed or what inspired it. 

Freddie Mercury is rendered without subtlety by Rami Malek. He somehow overplays the flamboyance while forgetting the all-important charisma. There are too many scenes showing his cats, and I like cats. 

By the time the film climaxes at the 1985 Live Aid show it appears to have completely given up with the various plot threads. Instead, it contrives to go out on a high note without having to resolve anything. 

Ultimately, you wonder why this film got made and who it was made for. There’s no real story to reveal, because the basics of their story is already so universally known. I was left wishing I had seen a comprehensive Queen documentary with concert footage and interview clips. That would have been so much more engaging.