Showing posts with label Starring: Jonathan Rhys Meyers. Show all posts
Showing posts with label Starring: Jonathan Rhys Meyers. Show all posts

Bend It Like Beckham (2012)

Comedy drama. 

Jesminder “Jess” Bhamra (Parminder Nagra) is a football enthusiast with a special talent for the game, but her parents don’t approve and want her to follow a traditional Sikh path in life. When Jess meets Jules (Keira Knightley) and team coach Joe (Jonathan Rhys Meyers) she realises that football might be her future after all. 

There’s lots to love about this film. The three leads are all excellent and deliver refreshing, emotive performances. What lets it down is the awkward presentation of the older generation. There’s an excruciatingly hammy performance by Juliet Stevenson as Jules’ mother. She’s embarrassing to watch and I never once believed they were related. Her father (Frank Harper) is almost as bad. In fact, all four of the girls’ parents are represented as one-dimensional “types”. There’s a woeful lack of subtlety and nuance in the characterisation. Much better is Archie Panjabi as Jess’s older sister, who is planning to marry. The dynamic between the two girls is tender and has the all-important ring of truth about it. 

The music sometimes seems misjudged, used in fast-cut, intrusive “pop video” sequences that undermine the drama. It could have been grittier and tighter (like Brassed Off, perhaps), but parts of it feel like an episode of Grange Hill. 

That said, it ultimately wins you over with a rousing, feel-good finale, and the simple charm of the two footballing friends is sweet and touching.

Match Point (2005)

Excellent drama written and directed by Woody Allen. Critics were harsh on the fact that an American film set in London features some occasionally jarring turns of phrase (i.e., Londoners don’t call it "the" Tate Modern), but this in no way reduces the enjoyment.

Former tennis pro Chris (Jonathan Rhys Meyers) tries and fails to balance his relationships with his wife (Emily Mortimer) and mistress (Scarlett Johansson). In addition he wants to hang on to all the benefits of marrying into a wealthy family, who have secured him a lucrative career and given him a comfortable life. 

The film cleverly juggles major themes – the role of chance, ethics and love vs. desire – while evolving from a personal drama into a tense thriller in the second half. 

As with a lot of Woody Allen’s writing, there’s not a scene you could add or cut to improve the storytelling, so well-constructed is the escalating plot. Initially, I thought that Rhys Meyers was weak in the lead role, but as you find out what his character is capable of you begin to understand that the actor is playing the role perfectly. 

It’s a strong cast overall, with impressive performances by Brian Cox and Penelope Wilton, as Chris’s new in-laws, and Matthew Goode as their son Tom.