It tackles issues including religion, class, social mobility, gender roles and the state of New York in the 1970s, but never in a heavy-handed manner.
Both incredibly dramatic and desperately sad, in some ways it’s a New York version of the sort of stories told in Billy Liar and Saturday Night and Sunday Morning – a young man tries to rise above his background to make his way in the world while negative forces conspire to keep him down.
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