Highly enjoyable thriller about a Federal Air Marshal (played by Liam Neeson) who finds himself on a flight with a hidden killer who threatens to murder a passenger every 20 minutes. But in an exciting twist, the killer manages to frame the Air Marshal so that it is he who is suspected of being the terrorist.
Neeson is easy to like as the heavy-drinking, down-on-his-luck Bill Marks. Julianne Moore, always worthwhile, is also appealing as the woman he sits next to and finds an unexpected connection with.
The action scenes are superbly handled by director Jaume Collet-Serra – fluid and real-looking, but with a bright, clean hyper-reality about them. I also like the way the phone texts are displayed on screen as words floating in the air. It’s imaginative and a lot more interesting and convenient than repeatedly showing close-ups of a mobile phone screen.
It’s not perfect. The criminal rationale, when explained, seems far-fetched. The title is generic and could apply to any thriller. And Neeson being chummy with the little girl veers on sentimental tough-guy-with-a-heart-of-gold cliché. But there’s still easily enough excitement and drama to keep you hooked to the end.
Neeson is easy to like as the heavy-drinking, down-on-his-luck Bill Marks. Julianne Moore, always worthwhile, is also appealing as the woman he sits next to and finds an unexpected connection with.
The action scenes are superbly handled by director Jaume Collet-Serra – fluid and real-looking, but with a bright, clean hyper-reality about them. I also like the way the phone texts are displayed on screen as words floating in the air. It’s imaginative and a lot more interesting and convenient than repeatedly showing close-ups of a mobile phone screen.
It’s not perfect. The criminal rationale, when explained, seems far-fetched. The title is generic and could apply to any thriller. And Neeson being chummy with the little girl veers on sentimental tough-guy-with-a-heart-of-gold cliché. But there’s still easily enough excitement and drama to keep you hooked to the end.
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