Jaws (1975)

I’ve seen this gem several times now and never tire of it. Steven Spielberg lost his way in later years, but with this film and Duel (1971) he could do no wrong.

There is no way that Jaws deserves its “12” certificate. In the first scene alone you see drug-taking and nudity. Then there’s a fair bit of “threat”, dismemberment, gore and all-out horror.

It’s full of great little details: Roy Scheider’s son copying his gestures at the meal table; that ultra-dramatic on-the-beach shot that zooms in and pans out at the same time; the iconic “shark approaching” music by John Williams; Quint’s war story; “You’re gonna need a bigger boat”; and the grisly fingers-down-the-blackboard moment at the town meeting.

It really kicks off when the three men go to sea to hunt the killer great white. There’s a macho issue going on between the guys, as well as a theme of class: tough-talking fisherman Robert Shaw is less than impressed with college-educated oceanographer Richard Dreyfuss. As the police chief, Roy Scheider somehow strikes a balance between them. Each man’s character is extremely well drawn. Also excellent is Murray Hamilton as the town mayor who prioritses Amity’s lucrative 4th July celebrations over beach safety.

The shark looks incredibly realistic. So convincingly did the film make these creatures look evil that a great disservice was done to the way they are perceived and their subsequent ecological protection.

My only other real criticism is the intrusively jaunty music used in some of the action sequences. In typical Spielberg style, on a couple of occasions he over-eggs the “adventure” aspect and makes the drama seem silly. But the damage is minimal here compared to in his later films.

Those points aside, it’s a masterful study in suspense.