Michael Douglas plays a New York cop assigned to escort a Japanese assassin back to Japan. When that ruthless killer outwits him, he’s plunged into the criminal underworld.
Andy Garcia has a certain charm as his colleague, and he should have been featured more prominently. Douglas himself looks unwell and it’s unclear whether he’s just being “method” about the character or whether the actor himself is going through a difficult patch. The charisma is unchanged, however – Douglas always has a certain presence, whatever the film.
The film is arguably quite racist, peddling quite a few clichés about Japanese culture.
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