Made in Italy (2020)

An artist (Liam Neeson) and his son (Neeson’s real-life son Micheál Richardson) struggle to deal with the loss of their wife/mother while attempting to sell their run-down old house in Italy. 

The film tries to be poignant but isn’t well-written enough to inspire much of an emotional response – despite the tragic parallels with the actors’ own lives. Instead, it ends up being a sort of fifth-rate Richard Curtis homage – a rather tepid light drama with only one genuinely funny line.

Lindsay Duncan adds a little grit as a stern estate agent. Valeria Bilello seems rather idealised and one-dimensional as the son’s love interest. Neeson has his usual rugged appeal but sleepwalks through the role. 

It’s easy-to-watch, and of course the Italian landscapes are seductive, but ultimately it’s all rather mediocre.

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