It works because it seems so incredibly real. That’s partly because of the low budget and partly because of the high quality of the actors and the script. The songs are perfectly suited to the story, too. Irglová is particularly compelling. She conveys so much depth in her facial expressions alone. And her shy, understated dialogue has the ring of truth – for example, a scene in which they discuss a final meeting that she declines: “We’d just hanky panky if I come now…And that would be nice…Very interesting.”
It’s full of surprising, funny and revealing moments like this. And it’s emotionally rich and open without resorting to sentimentality or standard “love story” tropes.
It was later adapted into a stage play, which I saw performed in London, but the film feels more fresh and original.
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