Like I, Tonya, it explores how a desperate, manipulative mother can push to have her child succeed in sport – whatever the personal cost. Unlike that film, it doesn’t employ tricksy narrative devices or self-conscious fourth-walling and so it’s much more affecting as a result.
Mark Wahlberg and Christian Bale are tremendous as the half-brothers driven apart, with the latter giving the intense, twitchy performance of a lifetime. His eyes say so much, and you never doubt that you’re seeing a real drug addict. Amy Adams is hugely sympathetic as the girlfriend who seems like Micky’s only hope and who wants to save him from his overbearing mother, terrifyingly brought to life by Melissa Leo. His horrible gang of catty sisters will also unfortunately stay with me.
In some ways it’s a terribly sad story, but it’s also a rousing one owing to the way it charts Micky’s rise to prominence within the boxing world. The fight sequences are difficult to watch, but then I could never understand a “sport” that involves punching someone in the head and causing brain damage.
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